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    <loc>https://www.suzannebocanegra.com/work</loc>
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    <lastmod>2025-11-17</lastmod>
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      <image:title>WORK</image:title>
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      <image:title>WORK</image:title>
      <image:caption>Rerememberer (all the threads) is a translation of an old Danish peasant fabric into a performance / installation. I wanted to apply the instructions for the creation of a simple, honest textile to sounds, actions, lighting and staging, transforming a small, flat scrap of material into an hour of noise and unearthly atmosphere. The idea for the piece came from the realization that weavers codify their instructions on a 5 line staff - exactly how composers write music. The proportions of the thread count and the numerical ordering of the loom tie-up for the weaving pattern serve as the score and scenario for the entire installation, generating the music, the lighting and the placement in space. Rerememberer is scored for amplified weaver, accordionist, dj, sound design, lighting, underscore, conductor and an orchestra of fifty violinists who have never played violin before. The use of amateurs refers to the folk tradition of the weaving, returning the homespun quality of the fabric to its origins.</image:caption>
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      <image:caption>Using Artist Josef Albers 1963 text, Interaction of Color, as a starting point. Treuting, Bocanegra and Marshall explore the perception, motion, and emotion of color. Albers’ book, a seminal text in visual art education, posits the logic of color theory, relativity, and perception. Like most things, our experience with color is contextual. Through sound, objects, and their own bodies, the performers explore the inherent humanity and subjectivity of individual perception in relation to color.</image:caption>
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      <image:caption>Dialogue of the Carmelites is an opera by Francois Poulenc, which he started writing in 1953 and completed in 1956. It’s based on a true story of a French convent of nuns who were executed in the waning days of the French Revolution by anticlerical Revolutionary forces. Bocanegra staged her own version of this opera, casting the nuns depicted in the 1953 edition of the catalog “A Guide to the Catholic Sisterhood in the United States.” The nuns photographed for the book are "costumed" using embroidery, much like cloistered nuns throughout the centuries embellished pages of their prayer books with hand stitching. The music is composed by David Lang. The music is sung by Caroline Shaw. The recording was produced by Jody Elff. Dialogue of the Carmelites was on view at Art Cake in Brooklyn, NY, as part of Bocanegra’s 2019 solo show Wardrobe Test. Dialogue of the Carmelites was on view at The Fabric Workshop and Museum in Philadelphia, PA, as part of Bocanegra’s 2018 solo show Poorly Watched Girls.</image:caption>
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      <image:title>WORK</image:title>
      <image:caption>Farmhouse Whorehouse considers the lives of Bocanegra's grandparents on their small farm in La Grange, Texas, which was located across the road from the Chicken Ranch, better known as “The Best Little Whorehouse in Texas.” Using text, songs, film, and projections, Bocanegra and actress Lili Taylor, with Shara Nova, tell a rambling story examining the idyllic place the rural world occupies in our urban imagination as well as the invention of the pastoral in art, contemporary homesteading and back to the land movements, and various utopian communities throughout history.</image:caption>
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      <image:title>WORK</image:title>
      <image:caption>One of the oldest classical ballets, 'La Fille mal Gardée' - 'The Poorly Watched Girl,' was first performed in France in 1789. The ballet is a comedic pastiche of country dances and folk tunes about a peasant girl who falls in love with a boy who is not her widowed mother's choice. The setting is a range of stereotypical pastoral locations - the lively barnyard, the quaint cottage, the picturesque fields. Many choreographers have staged La Fille mal Gardée through the years. Frederick Ashton's 1960 version includes ballerinas dancing in wooden clogs en pointe. The 'watching' in the title has several meanings. She gets into trouble because she is 'poorly watched' by her mother. Her character also represents an idealized rural trope watched voyeuristically for the entertainment of an upperclass urban audience. Through the use of costumes and scenography, Bocanegra staged her own version of a romantic agricultural idyll and the watching of this peasant girl.</image:caption>
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      <image:title>WORK</image:title>
      <image:caption>In 1967 Judy Garland was cast in the film Valley of the Dolls, a story of three women undone by drugs and stardom on Broadway in the ‘50s. An amazingly gifted performer, Garland had been exploited since she was a girl by the entertainment industry. At this point in her career she was known to be unpredictable and painfully fragile. She was fired soon after work on the film began. Some of the only footage that remains of her participation in the film are her wardrobe tests, in which she models her costumes for the film. These wardrobe tests have no script, no scenario, no song. The movement and nervous chatter are her own. Judy Garland had performed professionally from the age of 2, yet in this footage she appears awkward and uncomfortable, and that awkwardness makes her feel authentic and vulnerable. With the help of the Fabric Workshop, Bocanegra recreated this footage, casting eight strong women artists that she admires in the role of Garland. Performers include poet Anne Carson, author, actor and activist Tanya Selvaratnam, actor Kate Valk, singer Alicia Hall Moran, choreographer and dancer Deborah Hay, artist Joan Jonas, ballerina Wendy Whelan and artist Carrie Mae Weems. After Judy Garland was fired from the film, she took her wardrobe with her. She wore them in her concerts until her death of a barbiturate overdose 2 years later, bringing long-lasting notoriety to the iconic late-1960s costumes. Valley was on view at the Gund Gallery at Kenyon College in Gambier, OH, as part of Bocanegra’s 2022 solo show ‘Valley’. Valley was on view at the Blanton Museum of Art at the University of Texas in Austin, TX, as part of Bocanegra’s 2021 solo show ‘Valley’. Valley was on view at Art Cake in Brooklyn, NY, as part of Bocanegra’s 2019 solo show ‘Wardrobe Test’. Valley was on view at The Fabric Workshop and Museum in Philadelphia, PA, as part of Bocanegra’s 2018 solo show ‘Poorly Watched Girls’.</image:caption>
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      <image:title>WORK</image:title>
      <image:caption>The set contains 6 scenes in the format of a souvenir folder from the 19th century that each audience member receives on entering the theater. The folder is to be opened by the audience while waiting for the dance performance to begin. The audience looks at the images. The lights go down and the dance begins. The images become the set in the memory of the audience.</image:caption>
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      <image:title>WORK</image:title>
      <image:caption>This performance by conceptual artist Suzanne Bocanegra masquerades as an artist talk but reveals her aesthetic engagement with one of The Metropolitan Museum of Art’s greatest tapestries, the colossal Honor (from the series The Honors), measuring almost 19 by 25 feet. Weaving Bocanegra’s personal narrative with an artist’s interpretation of the 16th century tapestry which reveals a multitude of different characters and narratives, Honor features celebrated film and theater actor Lili Taylor in the title role of The Artist. Credits: Written and Created by: Suzanne Bocanegra Performed by: Lili Taylor Directed by: Geoff Sobelle LA Tour Director: Rachel Park Wardrobe Supervisor: Theodora Bocanegra Lang Design and Technical Director: Joey Wolfslau Producer: Sandra Garner, Lingua Franca Arts Ríu, Ríu, Chíu arranged by David Lang Suzanne Bocanegra (Writer/Creator) is a visual artist living and working in New York. Bocanegra's Artist Lecture performances have been presented in museums, galleries, and theaters across the United States, including the Museum of Modern Art, the Hammer Museum, the Pulitzer Foundation, the Houston Museum of Fine Arts, the Carnegie Museum of Art, and on the Next Wave Festival at the Brooklyn Academy of Music. Bocanegra is the recipient of numerous awards, including grants from the Guggenheim Foundation and the American Academy of Arts and Letters. In 2020 she received the Robert Rauschenberg Award from the Foundation for Contemporary Arts. In 2019, a major show of Bocanegra's work titled Poorly Watched Girls was presented at the Fabric Workshop and Museum in Philadelphia. Also in 2019, her solo show Wardrobe Test was the inaugural exhibition at ART CAKE, an exhibition space in Brooklyn. Her work is in the collections of the Guggenheim Museum and the Museum of Modern Art, among others. Lili Taylor (Performer). Honor marks the fourth Artist Lecture Lili has worked on with Suzanne Bocanegra. Lili and Suzanne have been performing When a Priest Marries a Witch, BodyCast and Farmhouse / Whorehouse over the years in many different venues across the US ranging from the Brooklyn Academy of Music, The Wexner Center, The Contemporary Art Museum St. Louis to name a few. Honor was performed at the Performing Garage, New York, NY, on September 3–14, 2025. Honor was performed at Texas Performing Arts at the University of Texas, Austin, TX, on January 31–February 1, 2025. Honor was performed at the NYU Skirball Center, New York, NY, on April 8, 2024. Honor was performed at the Walker Art Center, Minneapolis, MN, on February 22–24, 2024. Honor was performed at the Institute of Contemporary Art, Boston, MA, on February 10, 2023. Honor was performed at the Moody Center for the Arts at Rice University, Houston, TX, on January 27, 2023. Honor was performed at the Museum of Contemporary Art, Los Angeles, CA, from April 29–30, 2022. Honor premiered at the Metropolitan Museum of Art, New York, NY, on February 19, 2022.</image:caption>
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      <image:caption>recent paintings 17 x 24 inches acrylic and collage on unstretched canvas</image:caption>
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    <lastmod>2025-07-29</lastmod>
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    <loc>https://www.suzannebocanegra.com/new-blog/2023/10/27/all-four-artists-lectures-to-be-performed-as-part-of-nyu-skirballs-2023-24-season</loc>
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    <loc>https://www.suzannebocanegra.com/new-blog/2023/10/27/farmhousewhorehouse-at-nyu-skirball-center-on-october-30-2023</loc>
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    <loc>https://www.suzannebocanegra.com/new-blog/2022/12/8/honor-an-artist-lecture-by-suzanne-bocanegra-starring-lili-taylor-at-ica-boston</loc>
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    <lastmod>2022-12-08</lastmod>
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    <loc>https://www.suzannebocanegra.com/new-blog/2022/7/13/suzanne-bocanegra-valley-opens-at-gund-gallery-at-kenyon-college</loc>
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    <loc>https://www.suzannebocanegra.com/new-blog/2022/4/17/honor-an-artist-lecture-by-suzanne-bocanegra-starring-lili-taylor-at-la-moca</loc>
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    <loc>https://www.suzannebocanegra.com/new-blog/2022/1/26/honor-an-artist-lecture-by-suzanne-bocanegra-starring-lili-taylor-at-the-metropolitan-museum-of-art</loc>
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    <loc>https://www.suzannebocanegra.com/new-blog/2021/8/3/virtual-screening-live-qampa-when-a-priest-marries-a-witch-an-artist-lecture-by-suzanne-bocanegra-starring-paul-lazar</loc>
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    <lastmod>2021-08-03</lastmod>
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    <loc>https://www.suzannebocanegra.com/new-blog/2020/8/19/blanton-museum-announces-2021-suzanne-bocanegra-exhibition</loc>
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    <lastmod>2020-08-19</lastmod>
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    <loc>https://www.suzannebocanegra.com/new-blog/2020/6/11/the-brooklyn-rail-the-new-social-environment-lunchtime-conversation-39-suzanne-bocanegra</loc>
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    <lastmod>2020-08-19</lastmod>
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      <image:title>Teams 3 columns</image:title>
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      <image:caption>Mark Liu Vivamus a ante congue, porta nunc nec, hendrerit turpis. Donec ac fringilla turpis. Nullam sit amet nisi condimentum erat iaculis auctor. Aliquam bibendum, turpis eu mattis iaculis, ex lorem mollis sem, ut sollicitudin risus orci quis tellus. Vivamus sit amet semper lacus, in mollis libero. Quisque congue porttitor ullamcorper. Integer tempus, elit in laoreet posuere, lectus neque blandit dui, et placerat urna diam mattis orci.</image:caption>
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      <image:title>PRESS - Kinsella, Eileen, “How This Artist Is Bringing a 16th-Century Tapestry to the Stage—With Help 	 From Lili Taylor,” Artnet, September 11, 2025</image:title>
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